Clockwise from top left: Danai Gurira, Jocelyn Bioh, Mfoniso Udofia and Ngozi Anyanwu.
Katie Mitchell’s production of Alice Birch’s “Anatomy of a Suicide” played at the Royal Court Theater in London in 2017.
“In satire, you sort of imagine the unimaginable,” said Robert O’Hara, whose new play, “Mankind,” envisions a world without women.
David Binder, who will officially take over as artistic director of the Brooklyn Academy of Music in January, inside its opera house.
Will Roland, left, and George Salazar as friends hungry to be more popular in the musical “Be More Chill.”
Amir Nizar Zuabi’s play “Grey Rock” is about a Palestinian man who decides to build, in a shed, a rocket to the moon.
Lucas Papaelias as Dan and Ella Kennedy Davis as his daughter Julie in “This Flat Earth,” directed by Rebecca Taichman, at Playwrights Horizons.
David Alan Grier, left, with Kerry Washington, in her Broadway debut in David Mamet’s “Race” in 2009.
Evanna Lynch, left, and Colin Campbell as 17-year-olds on the loose in Enda Walsh’s “Disco Pigs” at the Irish Repertory Theater.
Cameron Kasky, 17, a student at Marjory Stoneman Douglas High School, rehearsing “Spring Awakening” while members of the original Broadway cast watched.
From left, Quincy Tyler Bernstine, Kyle Beltran, and Jennifer Kim, with Thomas Jay Ryan, above, in “The Amateurs,” in which a medieval theater troupe goes on tour with “Noah’s Ark” and other works.
As Harold Zidler, who runs the Moulin Rouge nightclub, Danny Burstein delivers a master class in pandering seediness.
Ayad Akhtar maintains that what he calls the “attention-finance complex” has contributed to the collapse of a collective well-being.
Will Connolly (center) as a high school student who takes steps to turn cool in the Two River Theater production of “Be More Chill.”
From left, the lighting designer Jane Cox, the costume designer Toni-Leslie James, the sound designer Jessica Paz and the scenic designer Rachel Hauck at the Delacorte Theatre in Central Park.
In “Fire and Air,” James Cusati-Moyer, sitting in the foreground, is the dancer Nijinsky and Douglas Hodge, behind him in the top hat, is the impresario Diaghilev. Members of their circle, from left: Marsha Mason, John Glover and Marin Mazzie.
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