From left: Arnie Burton, Laura Michelle Kelly, Hayley Podschun, Harriet Harris, Holly Ann Butler, Will Swenson and Kathryn Fitzgerald in “The Royal Family of Broadway” at Barrington Stage.
Condola Rashad on the set of “Saint Joan” at the Samuel J. Friedman Theater.
David Binder, who will officially take over as artistic director of the Brooklyn Academy of Music in January, inside its opera house.
Jessie Mueller as Julie Jordan and Joshua Henry as Billy Bigelow in the revival of “Carousel.”
“I know what it’s like to be in a room with a rock star,” said Joe Penhall, whose new play “Mood Music” is about the recording industry.
Eve Ensler, sharing her experience of illness in the one-woman show “In the Body of the World.”
From left, Liz Wisan, Britney Simpson, Mark Bedard, Nance Williamson and Kurt Rhoads in Shana Cooper's new production of “The Taming of the Shrew” at the Hudson Valley Shakespeare Festival.
In “Fire and Air,” James Cusati-Moyer, sitting in the foreground, is the dancer Nijinsky and Douglas Hodge, behind him in the top hat, is the impresario Diaghilev. Members of their circle, from left: Marsha Mason, John Glover and Marin Mazzie.
Alexandria Celia, center, used a squirt gun painted black in “Miss Saigon” at Somerset Berkley Regional High in Massachusetts.
Katie Mitchell’s production of Alice Birch’s “Anatomy of a Suicide” played at the Royal Court Theater in London in 2017.
Robert Sean Leonard, left, and Paul Sparks in “The Zoo Story,” the one-act that is the second half of “Edward Albee’s At Home at the Zoo” at the Signature Theater.
Lucy Thurber with Alexander Lambie, left, and Cesar Rosado, two students who inspired her play “Transfers.”
From left: Vin Knight, Mike Iveson, April Matthis and Annie McNamara in the Elevator Repair Service production of “Everyone’s Fine With Virginia Woolf” at the Abrons Arts Center.
A scene from “Network,” directed by Ivo van Hove, with (left and onscreen) Bryan Cranston.
A program for the world premiere production of “My Fair Lady” in New Haven.
For Joshua Henry, the Tony-nominated star of “Carousel,” playing the flawed Billy Bigelow is an opportunity to expand younger black actors’ notion of what they can hope to do onstage.
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