The Bayeux Tapestry chronicles the events leading up to the Battle of Hastings in 1066, one of the most important battles in English history. It has rarely been moved, and never outside France.
A postcard in “World on the Horizon, Swahili Arts Across the Indian Ocean” at the Smithsonian’s National Museum of African Art. Photo: J. P. Fernandes, “Ostafrikanische Schönheit” (“East African Beauty”) in Zanzibar, Tanzania, pre-1900.
Billy Joel recently played his 100th show at Madison Square Garden in New York. Will he hit a 200th show there? “Don’t bet the farm,” he said.
Ryan O’Shaughnessy, left, of Ireland, performing during the 63rd annual Eurovision Song Contest at the Altice Arena in Lisbon, Portugal, on Tuesday.
Adrian Piper’s “Self-Portrait Exaggerating My Negroid Features,” 1981. In all of her work, our critic writes, “her aim is not to assert racial identity but to destabilize the very concept of it.”
The Louvre Abu Dhabi, which opened to the public on Nov. 11, will be the new home of Leonardo da Vinci’s “Salvator Mundi.”
Enslaved African men and women in a sculpture by the Ghanaian artist Kwame Akoto-Bamfo at the new National Memorial for Peace and Justice in Montgomery, Ala. The work is dedicated to the memory of the victims of the trans-Atlantic slave trade.
“Snowman” (1987/2016), by Peter Fischli and David Weiss, in the Museum of Modern Art’s Abby Aldrich Rockefeller Sculpture Garden.
The Alvin Ailey installment, a portion of “Revelations,” in Netta Yerushalmy’s “Paramodernities,” featuring, from left, Ms. Yerushalmy, Jeremy Jae Neal, Brittany Engel-Adams, Stanley Gambucci and Nicholas Leichter.
Sofia Zarul Azham, left, and Dominique Machain, students at the School of Visual Arts, complained that their professor had acted inappropriately toward them.
Kanye West has renewed his support of Donald J. Trump in a series of Twitter posts that have his fan base concerned and conservative America energized.
Polly Crawford holds a flashlight as she and Beecher Gram peer into “Pink Bathroom,” one of 19 miniature crime scenes made by Frances Glessner Lee in the 1940s and ‘50s and now on view at the Renwick Gallery.
R. Kelly has been accused of being violent and sexually coercive with women and young teenagers. While he denies the accusations and isn’t facing any criminal charges, the grass-roots #MuteRKelly campaign has gained the backing of Time’s Up.
“Jonny Woo’s All Star Brexit Cabaret” is one of many shows at the Edinburgh Festival Fringe that poke fun at the tortured process of Britain’s withdrawal from the European Union.
A First Saturday event at the Brooklyn Museum. This week’s lineup includes concerts and a short film on racial unrest.
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